Different musical, textual, and graphic notes

VT_Dig_00016_022
163. Ajde braćo da ga zapjevamo – melody of a two-part old layer song [ojkanje or groktenje], manuscript VT_Dig_00016_022
VT_Dig_00016_025
164. A fragment of old tradition two-part song, called „long mode“, manuscript VT_Dig_00016_025
VT_Dig_00016_026
165. An old tradition two-part song, called „short mode“, manuscript; VT_Dig_00016_026
Vujicsics_049
166. Notes of types of multipart singing and tonal systems in the Balkans; Vujicsics_049
Vujicsics_050
167. Notes of techniques and tone row of ojkanje (Tihomir Vujičić’s term is groktenje)_1; Vujicsics_050
Vujicsics_051
168. Notes of techniques of ojkanje (Tihomir Vujičić’s  term is groktenje)_2; Vujicsics_051
169. Kićeno nebo zvezdama and Oj, livado, zelena livado [Serbia] – melodies and lyrics of two songs, manuscript; img015
VT_Dig_00017_012
170. Notes from ethnomusicological literature (Stumpf, Szabolcsi, Schneider); VT_Dig_00017_012
VT_Dig_00016_010
171. Examples of „long“ and „short“ mode by songs Diko moja and Pomisli se, mila mati; Felsőszentmárton (Martinci); VT_Dig_00016_010
VT_Dig_00016_008
172. Versus saturnius in „long“ and „short“ mode: Moje oko garavo and šalajka, VT_Dig_00016_008
VT_Dig_00001_007
173. Notes of the origin of some folklore melodies in Byzantine and church tradition, as well as on the origin of church melodies in folk traditions; VT_Dig_00001_007
VT_Dig_00001_008
174. Notes of comparative studying of some melodic formulae and scale types; VT_Dig_00001_008
VT_Dig_00001_009
175. Different textual and musical notes; VT_Dig_00001_009
VT_Dig_00001_010
176. Different textual and musical notes_2; VT_Dig_00001_010
VT_Dig_00001_011
177. Notes of sung and instrumental music; VT_Dig_00001_011
Vujicsics_001
178. Notes of lyric treatment in vocal tradition, refrain, šalajka; Vujicsics_001
Vujicsics_002
179. Different notes of influences of Romanian music; Vujicsics_002
img-310105734-0004
180. Lyrics of Greek songs; img-310105734-0004
img-704085622-0005
181. Poetized reflections of relations between Serbia and Croatia (and their traditions), manuscript; img-704085622-0005
VT_Dig_00017_029
182. List of places where Ludvík Kuba collected melodies; VT_Dig_00017_029
VT_Dig_00017_031
183. Notes of Ludvík Kuba’s study „Folk musical art in Dalmatia“; VT_Dig_00017_031
VT_Dig_00017_037
184. Text about life philosophy by Horace (in Latin); VT_Dig_00017_037
VT_Dig_00017_021
185. Notes of orientalism, with the map of the Balkans; VT_Dig_00017_021
VT_Dig_00017_015
186. Note of rhythm, with map of the Balkans and notations; VT_Dig_00017_015
Vujicsics_099
187. Psalm verses and a prayer, manuscript; Vujicsics_099
VT_Dig_00016_027
188. Note of non-tempered and multipart singing in traditions in Baranya and of Bunjevci; VT_Dig_00016_027
VT_Dig_00001_017
189. Note of pentatonic, Incas, and Mongols, notation; VT_Dig_00001_017
Vujicsics_130
190. List of members of male choir from Pomaz (manuscript, in Hungarian);Vujicsics_130
VT_Dig_00001_018
191. Fragment of three-part arrangement of a Macedonian song Pušti me; VT_Dig_00001_018
VT_Dig_00001_019
192. Pušči me melody of a Macedonian song; VT_Dig_00001_019
Vujicsics_157
193. Different instrumental and vocal melodies (sketches, fragments)_1; Vujicsics_157
Vujicsics_158
194. Different instrumental and vocal melodies (sketches, fragments)_2; Vujicsics_158
VT_2018_5_Maj_img021
195. Different vocal melodies (Dobrij večer; Jadovan; sketches, fragments); VT_2018_5.img021
196.
196. Tabels with marks for interval relations in scales
197.
197. Dvore gradi Komadina Mujo – melody and lyrics of a song
img-704085622-0022
198. Notations of three Serbian dance melodies _1 (Beograđanka, Golubica, Davorjanka), manuscript; img-704085622-0022
img-704085622-0023
199. Notations of three Serbian dance melodies_2, manuscript; img-704085622-0023
VT_Dig_00017_007
200. Different ways of writing down the surname Vujičić; VT_Dig_00017_007
VT_Dig_00017_017
201. Sheep, sketches; VT_Dig_00017_017
VT_Dig_00011_015
202. Autoportrait, sketch; VT_Dig_00011_015